How do educators
use literature to develop the intellectual growth of a student? For example,
which method to teaching literature is proven to be the most effective? How do
variables such as region, class, race and gender influence the effectiveness of
the implementation of these individual methods? Finally, does writing serve as
a place in the literature classroom? If so, then how do educators utilize the
act of writing as a way to teach literature?
Scholars such as
Elaine Showalter and Michael Berube explore these questions. Chapters one and
two of Showalter’s Teaching Literature (2003)
provides a brief overview of issues associated to educator anxiety, along with a
brief overview of the theoretical approaches to teaching literature. From here,
Michael Berube offers a personal account and critique of his method to teaching
literature in his article, “Teaching to the Six” (2002). Here, Berube attempts to
address the dilemma he encounters when focusing his pedagogical energies on his
subject to the point in which he unfortunately finds himself only engaging with
a small percentage of the class. While Showalter and Berube broadly address the
aforementioned questions, scholars such as John Schilb, Kim Hensely Owens, Marc
Bousquet and Joanna Wolfe focus on issues related to the role of writing in the
literature classroom.
For instance, Owens’s
article “Teaching to The Six-and Beyond” (2009) suggests that Berube neglects
to discuss the role of writing as a way to overcoming the challenge of speaking
to the few. Here, Owens proposes a method to “scaffold student writing” in
literature thus, “providing legs for students to stand on as they reach new intellectual
heights” (Owens 391).
While Owens
focuses on the implications of writing on the student, John Schilb’s “Preparing
Graduate Students to Teach Literature” (2001), is concerned with the training
of future literature professors. Here, Schilb sheds light on the lack of
pedagogical training in the field of literary studies. While he recognizes the
distinguishing characteristics between composition studies and literary studies,
he also suggests that the literature discipline could benefit from writing
instruction as way to actively engage students with the literary text. Finally,
Marc Bousquet’s “The Figure of Writing and the Future of English Studies”
(2010) focuses on the implications of writing in the field of college English.
Here, he suggests that employing the figure of writing would provide “a
tremendous opportunity for the expansion of the mission, disciplinary healing
and employment justice in English” (122).
My brief summary
of these aforementioned works do not do them justice, thus I would like to
unpack issues brought up in these articles in later posts. From here, I would
like to engage a further discussion with Joanna Wolfe’s “A Method for Teaching
Invention in the Gateway Literature Class.” Here, Wolfe uses the classic
rhetorical notion of topoi as a system of invention in the literature
classroom. Interpreting the taxonomies of special topoi, Wolfe provides a
framework to teaching the literary argument.
The taxonomies
of special topoi include appearance
versus reality: what appears, is not always what is real; paradox: two things that are seemingly
different but serve as the same function; paradigm:
conceptual template used to describe the details of another text; ubiquity: defining a pattern or device
within a corpus of works; context and
intention: understanding the historical/cultural context and understanding
the writer’s implied audience; social
justice: how literature reveals the human condition and literature as form
of social change; mistaken critic: treatment
of past interpretive theories” (Wolfe 406-11).
To my mind, this
framework provides teachers with a way to provide what Owens calls a “scaffold” to help students develop a literary argument. Hence, I am inclined to
try this out in the literature courses I am teaching this semester. The
courses, Literature 219W: Literary Analysis and Literature 278W: Modern African
American Literature are both “W” course which signifies that these are writing
intensive courses.
I have taught
both of these courses in the past. In both classes, students are introduced to critical approaches to literature. By the end of the semester, students
submit a final paper in which they have developed an interpretive argument
about literature.
In the early
years of teaching these courses, I found that more of my students were having
trouble distinguishing between what constitutes as “literary argument” versus a
mere book report. At the same time,
students were finding it difficult to develop a complex literary argument that
challenged them to engage with the text. I have addressed this challenge over
the years by modeling my research and writing process in the classroom. Additionally we have
analyzed the work of literary scholars, not just paying attention to what they
are arguing, but how they are arguing. I also continue to
conduct both guided peer-review sessions and one-on-one conferencing, which
decreases the possibility for students to begin the paper the night before the
due date. While these techniques have proven to be beneficial, I still find
that some students are still having trouble with trying to come up with complex
arguments about literature. I think presenting these taxonomies as various
approaches to developing the interpretive argument would make explicit the
conventions of the literary argument while demystifying the process of developing interpretive argument about fiction.
I plan to employ much of Wolfe’s methods, with minor differences. I plan on not referring to this framework as “special topoi.” I am thinking of using, “Approaches to
Developing the Interpretive Argument.” I am going to use this method when
teaching the final paper, so I am going to be thinking of ways to introduce students to this taxonomy before it is formally presented. I also need to develop
an assessment technique so students can respond to this this method.
http://www.npr.org/2014/01/23/265239102/are-e-books-killing-reading-for-fun
http://www.npr.org/2014/01/23/265239102/are-e-books-killing-reading-for-fun
I love your idea of supporting the ones that seem to "fall through the cracks". Although not really discussed in your blog post, I would love to read more about that.
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