I continue to search for
innovative ways to trigger a passion for literary interpretation by making it
relevant for my students. I have found that a large part of teaching students
how to interpret literature is getting them to develop a sense of confidence in
their ideas. This presents itself a challenge when the student in an
introduction to literature course is used to supporting a thesis statement about
topics like the Affordable Health Care Act, mental illness, or violence in
video games. These topics are more tangible than constructing a main idea based
on discursive irony in Jean Toomer’s novel, Cane
for instance.
So then I wonder, is there
an appropriate time to make students aware of disciplinary conventions? Should
this knowledge be taught to introductory literature students, or should this
knowledge remain a transaction between aspiring literary scholars? Would making
what is implicit to the instructor explicit to the student help or hinder
students writing about literature? Would this knowledge stifle their
creativity?
Laura Wilder and Joanna
Wolf’s study, “Sharing the Tacit Knowledge of the Literary Scholar,” explores
these questions. They posit that teaching students the conventions of the
discipline helps students write about literature more effectively. Specifically, they use
Fahnestock, Secor and Wilder’s “special topoi” as an assessment tool to gauge
students’ writing. They concluded the following:
-Students
write about literature more effectively when taught how to use special topoi.
-Students
who were made aware of disciplinary conventions use the language of the discipline more effectively than students who were not made aware of it.
-Students were better able to distinguish literary analysis from other genres.
-Literature instructors tended to place higher value on analyses in which special topoi were employed.
-Students who used special topoi were able to make personal connections to and develop an appreciation for literature. (192-3)
-Students were better able to distinguish literary analysis from other genres.
-Literature instructors tended to place higher value on analyses in which special topoi were employed.
-Students who used special topoi were able to make personal connections to and develop an appreciation for literature. (192-3)
Wilder and Wolfe’s study is
relevant for me considering my charge to make literature relevant to my
students. I thought that incorporating these conventions in my classes would
help demystify the process of writing about literature, a type of writing in
which the rhetorical invention process combines concrete abstractions to
construct and support a main point. Further, I think that teaching disciplinary
conventions would help students develop interpretative approaches to literature
beyond summary or personal reaction. It also would help students to move beyond the
search for and the articulation of the “right” answer in the text.
In a previous post I stated
how I was going to use the special topoi as a way to concretize the process of
literary interpretation for my students. Right now, I am revising the final
paper assignment sheet for students in my courses on Literary Analysis and African
American literature. Here, I plan to incorporate Fahnestock, Secor and Wilder’s
use of special topoi to teach the final paper. Along with the final paper, I
plan to collect student responses on learning about special topoi and how much
it helped or hindered their writing processes.
Wilder and Wolfe suggest
that future research on this topic should, “explore the effects of transforming
tacit procedural knowledge useful for succeeding in a field into explicit
knowledge” (197). Hence, I am interested in knowing if the use of special topoi
in literature classrooms would help students become more aware of text
selection, with the purpose of improving their evaluative skills. Here, I want to assess students’ ability to choose texts for
consumption, teaching them to think about the rationale for instructors’ text
selection in their courses. While Wilder and Wolfe’s research show that
students are able to choose books for the purposes of choosing topics, I am
interested in making students more aware in the criteria of literature in
relation to their individual and collective subjectivity.
You ask some great questions in this blog post, and one that I've considered especially: "is there an appropriate time to make students aware of disciplinary conventions?" I think the answer lies in when we expect them to USE disciplinary conventions. Even in introductory literary courses, we expect students to be able to stake an evidence-based analytic claim about a piece of writing. If we are expecting students to do literary analysis, but we don't provide strategies for doing so, how can we assess their work critically and with a good conscience? I wouldn't feel comfortable giving students anything below an "A," let alone failing them, if I did not teach them what is considered "good" literary analysis.
ReplyDeleteI think the idea of suggesting that students think about the rationale for the instructor's reading list would encourage a critical appreciation into what makes a text worthwhile to study. Instead of passively accepting whatever is on the syllabus, students would perhaps challenge the choices and explore the purpose of the specific selections, which hopefully would open their minds as to why literature is still relevant in today's world. Knowledge of special topoi gives them a leg to stand on when evaluating the choices and make them more aware of the strengths (or weakness) of a text. It becomes a collaborative exercise.
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